In these three dreams, I seek to discuss the methodological aspects of my work.

First of all, I address the question of the listening position. This is a way for me to refer to the activist universe and its internal and autonomous discursive functioning. Then I talk about organisational practice. This practice allows me to develop a multitude of social and political theoretical aspects. These spaces and this knowledge are with me, are part of me. Within knowledge institutions, I try to value personal experience as essential knowledge, as legitimate knowledge.

I composed the sound piece with a dreamlike atmosphere in mind, while quoting different tracks, from Enya to Omni Trio, in a collage process close to my dj practice. On top of that, I recorded myself whispering, recounting my dreams. To activate the video, I projected transparencies over the video using an overhead projector. It seems to me that this analogue tool is synonymous with the world of education. It functioned for me as a means of claiming my knowledge of sound, which, in a visual arts context, must be learned by the members of the jury. The transparencies consisted of drawings and graphs that reinforced the three chapters and movements of the sound piece.